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剧情简介
《米兰九@口径》讲述的是什么故事？
《米兰九@口径》Fernando #* D_ [i [[=Leo',(s Mi $,la [no ?,Calibro 9 is /:a ;n o;ut-an?^?d-[ out(? ma =ster!=piece of Italian Cri ^me \: \cinem `a an+$d, ]/in my opinion, +one `of the most astonishing c*[ rime st %o _ries ever tol($d. The first film i(=/n Di Le[ @o- 's excellent # ) 'Milieu' tri ]logy, Mila.\#no C_ =:alibro 9 was follo%)wed by , L-a Mala Or,dina (aka. Manhunt, al%_s.[\o/? 1972) and\$ the br]] illia,:nt Il _ Boss (1973[ : ). Th \e t, %_hr `@e]e fil m,s a re not connected story`-wise, . %but all three /are excellent, = ^; and highly realistic p?@#o* rtr`$aya]@=ls of=%** organi=; ze# d cri,[me. As far+?! as I am concer! n*( ed! Manhunt is( (all[%though exc[ellent) sligh`^:t]ly=$: inferior to *this one `_an@]\d# \@\ Il Boss%! = $whi\ch (both s tand out as a) bsol$ut=e all-time highlight@s of crime !:]cinema .)! Milano Calib!+ro!/% 9 is --*_t\-he@! be. s#t of the` m all:` , !=a film # \_tha(t!+\( i s aston ].i.sh][ ing i ]n )#a=;-l l ,?as @;pects%. , be it the ingenious plo t; th `at /, apart from a comp ellin ,g story and _ clever twists, includes so^:+$.cial criti_c^-`ism, the performances, the %-gritty atmosphe+\re and susp_!ense or the![ brilliant s;-`core. I c]/an hardly +?find) [ the ? r ]@ight wor/ds to express `= m@y *admirati *on for this ?! masterpiece which -#ea+ sil @`%y ran$ ks am%`on`[ ?g the gre` ate_\\st Ga)[=n,( gste[ r flicks ev+;-e:;*r brought to scre= en. Gastone Moschin stars as ?: Ug;/o Piazza =^, a tough a +=.nd ellipt\ #ic!?*al :=/ex-convi\. ct who has jus t % been r@ [eleased !)from p%rison. Imme)#diatel,=y after h-is release!#, Ugo is a*p*;,proac;hed= by members o[ #f the Milan mo]b l !ead by the irascib (le ;! ;gangs ter @ Ro$cco (Mario Adorf),:` as they su*_]_spect hi!$.m _(to b.^e + respo$nsib )le f_*or the* disappearance @ of a lar_,; ge sum of money be @ longi ,n=g to their( boss, a (,!n-[ Ame#`rica;]n (Lionel Stande==r) w\,)h ,o co ,ntrols the or )+g``*?anized cri \(-;me in M@.ila (@n..`;].. Milano Calibro 9*$\ is a f[ilm that delivers an astoni shingly re# \alistic$. mood of the :: under/w, orld l#ike hardly another. The # \:intriguing sto\ryline goes in hand wit, (h inter, esting chara [@ cters , raw atmosphere, suspense a nd .breathta)%king action, soci al crit(:icism and bruta ^l+) vio ?lence. The film! @? is \simply stunning ? fr@om* . the begin_ n+ ing to (#the e -( nd,+: whi \ch i`%s even inten+ -%sif.ied by?] t,,h ^^e brilliant scor e , a collabor ;-(ation /;of t he famou_)@s composer[ Luis.*` Enríqu\,`ez ;\/]Bacalov and the Italian: ^^/Progr ) e s%sive Rock `%($band Osa]nna. Ugo Pia. zza must be one,# of t@`. `he most cha,-ri] smatic g,*a_n#gste_ r +) c_ha\racter]*?s ever in` c:$inema, and Gasto[_ ?%ne Moschin* was the prefe $ ct% choice^ ? for the role. Mosc:/%hi? %n delivers [):!a br-+i%lliant perf )orm ance, and t:^/he re)^st); o#+f] the cast is[\ ,,also gr/ `e#.a. t. Mario Adorf is ir )ascibl\e#/[] like ([a rabid.\` dog as the^ f?eroci ous gangster Rocco, a[ role(: that ( fits him like a g !$love. The great L_? ` ionel .)Sta?#nder fits perfe] ctly in h=%is role of t+ `he Ame*,!,ric$an Mafia Don. The) two cop characte#[rs %in the fi@, l!\m ar!e pl-)a_yed by tw]@ o of the gr: eatest ^regulars of It a .lian _/g^ e)]) nre-c inema, Lui\(gi Pistill),i and Fran^.k Wo \lff (w!(\ho commi %+tted suici- ^de.$*/ before the fi=lm was released). The ravi;shing ^Bar,; =bara Bouchet is^ $astonish (=ing and incre__d@ibly ([sexy =i;n the role of Ugo ; Pia-z)za's _ stripp`er girlf r?iend. Bouc het]. is both/ a stunnin(@g be-auty _and an ex%?)cel*.(l ent ac.tr );ess ?^^ and th=:!i/%s is: dou]`b@)tles`*:s@$+ly one of %her most memorable role= s. Th *is is also a po :$lit# _ical fi lm and _di ?[rector Di ; Leo ; em).,=bedd :ed a lot of so = cial critic .ism ab(/[_out topics like corrup\/tion. This film simp] ly ha\ s everything one can po;ssi; #bly de *s $ir e in cine*-_ma. Fi lms like Milano Calibro 9 are th#!e reason why I love cinema.]; Thi s i]-!s : an a(\bs \olu=?.te masterpiece in/ all ,regards and, without exa /ggeration, one @,of t\, he greatest [ Crime fl ic:\k,@ s +`ever m-,ade! The+. ingenious opening/+/ / * \sce.ne alone i s@+ more memorabl? $!e than _; most films get( in two ho@u;,rs.
1、《米兰九@口径》是哪一年上映的？
《米兰九@口径》是费尔南多·迪·莱沃于1972年拍摄的一部经典动作片。此片开创其它当代动作片的先河，《米兰九@口径》上映时票房稳坐前三，创下当年纪录。当时加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫均为最佳主角，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫以精彩演技和突出形象，奠定在其它影坛地位。加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫饰演角色造型多年后仍为人所模仿。费尔南多·迪·莱沃之前曾被人怀疑其能力，而《米兰九@口径》却奠定费尔南多·迪·莱沃动作片风格。《米兰九@口径》首映时曾获海外动作片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1972年代）其它（其它）优秀动作片齐名。
2、被称为动作片的开先河之作的《米兰九@口径》，是费尔南多·迪·莱沃最好的作品吗?
从费尔南多·迪·莱沃斩获动作片最佳导演 我就觉得这部《米兰九@口径》是他最好的动作片。虽然费尔南多·迪·莱沃后来还拍出来了评价特别好的动作片，但是《米兰九@口径》是他动作片的代表作品。
3、《米兰九@口径》为什么可以成为经典？
提起其它，人们就肯定会说出《米兰九@口径》的名字。这部由费尔南多·迪·莱沃导演，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的《米兰九@口径》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连费尔南多·迪·莱沃导演和加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，都没想到这部动作片会得到这样好的反响。费尔南多·迪·莱沃先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《米兰九@口径》开拍之前，加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫已经有几年年无戏可拍，而加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫主演的动作片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在动作片中投入的热情，是我们难以想象的，其实《米兰九@口径》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典动作片，也成就了他们自己！
4、如何评价《米兰九@口径》?
《米兰九@口径》口碑非常好深受广大观众喜爱，《米兰九@口径》一经播放立刻引来无数人点赞，不仅加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片故事情节也非常紧凑，日韩播放在线视频-中文经典久久久-国产熟女在线一区二区-激情东京一区二区三区--99日在线精品视频-欧美久久久久久精选大尺度-日韩一区二区三区在线观看-久久婷婷国产色一区二区三区（www.zmyy1.com）观看起来特别流畅同时还能扣人心弦，虽然目前《米兰九@口径》收视率一般但是该片目前受欢迎程度已经名列前茅。该动作片主演加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫，她在该动作片中的演技可圈可点，受到加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫演的好而且该动作片迷的认可。
5、《米兰九@口径》动作片的主要内容
《米兰九@口径》是一部动作片动作片，由导演：费尔南多·迪·莱沃执导，主演：加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
《米兰九@口径》Fernando #* D_ [i [[=Leo',(s Mi $,la [no ?,Calibro 9 is /:a ;n o;ut-an?^?d-[ out(? ma =ster!=piece of Italian Cri ^me \: \cinem `a an+$d, ]/in my opinion, +one `of the most astonishing c*[ rime st %o _ries ever tol($d. The first film i(=/n Di Le[ @o- 's excellent # ) 'Milieu' tri ]logy, Mila.\#no C_ =:alibro 9 was follo%)wed by , L-a Mala Or,dina (aka. Manhunt, al%_s.[\o/? 1972) and\$ the br]] illia,:nt Il _ Boss (1973[ : ). Th \e t, %_hr `@e]e fil m,s a re not connected story`-wise, . %but all three /are excellent, = ^; and highly realistic p?@#o* rtr`$aya]@=ls of=%** organi=; ze# d cri,[me. As far+?! as I am concer! n*( ed! Manhunt is( (all[%though exc[ellent) sligh`^:t]ly=$: inferior to *this one `_an@]\d# \@\ Il Boss%! = $whi\ch (both s tand out as a) bsol$ut=e all-time highlight@s of crime !:]cinema .)! Milano Calib!+ro!/% 9 is --*_t\-he@! be. s#t of the` m all:` , !=a film # \_tha(t!+\( i s aston ].i.sh][ ing i ]n )#a=;-l l ,?as @;pects%. , be it the ingenious plo t; th `at /, apart from a comp ellin ,g story and _ clever twists, includes so^:+$.cial criti_c^-`ism, the performances, the %-gritty atmosphe+\re and susp_!ense or the![ brilliant s;-`core. I c]/an hardly +?find) [ the ? r ]@ight wor/ds to express `= m@y *admirati *on for this ?! masterpiece which -#ea+ sil @`%y ran$ ks am%`on`[ ?g the gre` ate_\\st Ga)[=n,( gste[ r flicks ev+;-e:;*r brought to scre= en. Gastone Moschin stars as ?: Ug;/o Piazza =^, a tough a +=.nd ellipt\ #ic!?*al :=/ex-convi\. ct who has jus t % been r@ [eleased !)from p%rison. Imme)#diatel,=y after h-is release!#, Ugo is a*p*;,proac;hed= by members o[ #f the Milan mo]b l !ead by the irascib (le ;! ;gangs ter @ Ro$cco (Mario Adorf),:` as they su*_]_spect hi!$.m _(to b.^e + respo$nsib )le f_*or the* disappearance @ of a lar_,; ge sum of money be @ longi ,n=g to their( boss, a (,!n-[ Ame#`rica;]n (Lionel Stande==r) w\,)h ,o co ,ntrols the or )+g``*?anized cri \(-;me in M@.ila (@n..`;].. Milano Calibro 9*$\ is a f[ilm that delivers an astoni shingly re# \alistic$. mood of the :: under/w, orld l#ike hardly another. The # \:intriguing sto\ryline goes in hand wit, (h inter, esting chara [@ cters , raw atmosphere, suspense a nd .breathta)%king action, soci al crit(:icism and bruta ^l+) vio ?lence. The film! @? is \simply stunning ? fr@om* . the begin_ n+ ing to (#the e -( nd,+: whi \ch i`%s even inten+ -%sif.ied by?] t,,h ^^e brilliant scor e , a collabor ;-(ation /;of t he famou_)@s composer[ Luis.*` Enríqu\,`ez ;\/]Bacalov and the Italian: ^^/Progr ) e s%sive Rock `%($band Osa]nna. Ugo Pia. zza must be one,# of t@`. `he most cha,-ri] smatic g,*a_n#gste_ r +) c_ha\racter]*?s ever in` c:$inema, and Gasto[_ ?%ne Moschin* was the prefe $ ct% choice^ ? for the role. Mosc:/%hi? %n delivers [):!a br-+i%lliant perf )orm ance, and t:^/he re)^st); o#+f] the cast is[\ ,,also gr/ `e#.a. t. Mario Adorf is ir )ascibl\e#/[] like ([a rabid.\` dog as the^ f?eroci ous gangster Rocco, a[ role(: that ( fits him like a g !$love. The great L_? ` ionel .)Sta?#nder fits perfe] ctly in h=%is role of t+ `he Ame*,!,ric$an Mafia Don. The) two cop characte#[rs %in the fi@, l!\m ar!e pl-)a_yed by tw]@ o of the gr: eatest ^regulars of It a .lian _/g^ e)]) nre-c inema, Lui\(gi Pistill),i and Fran^.k Wo \lff (w!(\ho commi %+tted suici- ^de.$*/ before the fi=lm was released). The ravi;shing ^Bar,; =bara Bouchet is^ $astonish (=ing and incre__d@ibly ([sexy =i;n the role of Ugo ; Pia-z)za's _ stripp`er girlf r?iend. Bouc het]. is both/ a stunnin(@g be-auty _and an ex%?)cel*.(l ent ac.tr );ess ?^^ and th=:!i/%s is: dou]`b@)tles`*:s@$+ly one of %her most memorable role= s. Th *is is also a po :$lit# _ical fi lm and _di ?[rector Di ; Leo ; em).,=bedd :ed a lot of so = cial critic .ism ab(/[_out topics like corrup\/tion. This film simp] ly ha\ s everything one can po;ssi; #bly de *s $ir e in cine*-_ma. Fi lms like Milano Calibro 9 are th#!e reason why I love cinema.]; Thi s i]-!s : an a(\bs \olu=?.te masterpiece in/ all ,regards and, without exa /ggeration, one @,of t\, he greatest [ Crime fl ic:\k,@ s +`ever m-,ade! The+. ingenious opening/+/ / * \sce.ne alone i s@+ more memorabl? $!e than _; most films get( in two ho@u;,rs.