选集
剧情简介
《等待 !方舟》讲述的是什么故事？
《等待 !方舟》Se`.t ^in an undergr oun /-?d dung^+e\on inhab (%ited ;_=b/$y bund =#led)_,$= ragg+*#ed ;human bein?#gs, a*(fter the nuclear hol ]o)caust. The story[ follows the wanderings of a +hero through the situations of ``[s( u ?rvival. -\Pe!ople wait fo_ %=r the Ark to a](rr ^?(iv=e); an ; ?d rescue / them_,]? ,+while their habitat .: fal\.) ls apart. De%)lv^^ing de%?@$e(% p into ` [the dus ty an.]^.d l!(o ng ^]abandonded vaults of b -cin (/e!ma@ in sear]ch of lost ge%*ms al#$ ways l\e%*ave s m e [w+ ;it :h a bitt -ersweet taste. On: =one h #? and the discovery !of% une?xpect$ /ed_, g ?\ems wh/#ere n@[ o one would think them_ p ossible+ is a .r$`=ewarding e ]$xper ience* `.$ O n the@[ o]@ther hand ? though it make :s one won der h%\ow many of t_hese ;remar kab+(le l . ow-[budget od[$dities, pers .=onal lo; ve aff^airs of dire: ctors *never qu )i @:te f ^[[amous and no ! w all/ but f,or%\g[ otten, h(-ave( :almost forever sl*ipped from \-memory n any^ case what we hav ^e her%[ e`^ is a +_,little p:$;,ost-apocalypti /c gem from*:- Poland that is; [] rea ll$y be #,tter than it +has an#?^y right @;)to%%. The d +ys t# $opian near futur ;:*e of O-B\=#I, *O-BA )finds a grou )p of s\ urvivors of the :^_nuclear!=( `wa+,)r that ravaged th?:^e :E @art+_h inh*\abiti[**ng an underworld )concrete bunker and biding -+-their ti((,me a$/s they wait for .# the m$`ysterious Ark?%, an air `^ship of some k ind that wil% l _ +`come and save them. T_ #-he Ark p .@!roves , to b^e an[$ e .) la borat _\e hoax, carefully designed to giv e hope to-(@ the malnouri@shed and de$$sp#;erate de]@ n izen _;s of the bunker, while in the meanti]!me t? he d #ome# tha=^t+ sep@arates th;( eir;:@ mi, `se-r a ;ble e*xiste`nce from the nucle, ar winte (/=r outside^[^ is`/ sl owly caving in. \]What fir;. ;st strik\[ ed me about the movie * i^#%/s the$#` de`? =sign of the bu!?nker and the depiction*] % of *,the survivors. The su? rvi ? vo rs a_re g \au%nt-:., _@fil\ .thy@ and terri)=ble-looki,]ng penite ?nts, ; dre#;ssed in rags and aiml\ _`*essl.y wandering th _e n=`eon-lit%^ @=h%al]+!?ls% of the bunke:#r like automa !?*tons. Th`# .e bu+?_nk/;[er is a rundown, seedy place, with bri( g(,_ht ne )on ][lights ! peering from all *(s? ides like the eyes of malignant beasts. On one hand it is a sl /ightly 80's=* depictio=!/n of t ] he dysto@+`)pian= futu\ re but the movi*`e nev) er .$)st oops dow n= to MAD MAX c` heese. ,-* Instead it comb ines biting political \sat(ire with the ;b, .leak out.=look /.of a world with no future ,] ! blac*;k +comedy -`[with barbs on apathy,\[ religion and p+\ower. The ,_surv;[iv ors,+ ` f/=or_^ exa- -mple, a* r[ e [ fed som= e^,% kind of f=lour droppi$*ng from a,= /-\tube ` tha#t (*+ho:(\vers in@@: _+@the air - later \on we, di/ scov,$er t;h[e ;]$food sup( erv/;isor uses .bo oks and the B@ible i#] tself as_, fill;+e% ^r %for ; th is m eagre me%al;.. T her e are$* man\y s?[uc.:h$: [s*hort symbolic touch#@) es, perha!/ps$: not life-chan $_g,? i ?ng or faith-restor(ing, yet play%ful[+=, clever?, $!and\ i$]nspired. : One thing is for su,!re;= O-#\ BI,\ O-BA is n .-ot your run-of-the-m %i $+ll sci-fi s :(chlock. It% ov\ ercomes its modest:-. b.#^udg \?e_t wi/ th c-reati:?!vit!y and h !as ?;:genui).ne artis/ t.ic aspiration $s b^$oth from ([ a writ[i: ];ng and directing perspect%^iv*e. My opinion:@ is tha !t it should #h!.ave been f =ilmed`\ in black and white instead ?/?o ]f colo-(ur #tho ,^ugh.=% The dire]c\tor use#*s atmospheric li(@ =ght and shad=ow to g\rea#.t % effect and it w ould have re g ister[:;ed even bett$ er in st^;a ,`rk black and )^white. The blue-gre_en ne]o`-n on `the other ha!$nd outstays -its w$ e \,lcome after a #while. Just a minor gripe in!#` *an otherwise soli $:d b-movie with its h(eart set in all the right places. Imagine a l ess #bleak THE ROAD+ (,$+Cormac McCarthy) ]_ ?=being injected wi-th. the sat /ire a,nd h*\umou,+__r !?o` f DR.STRANGELOVE and you'r.: )e getting ther%/e. See it _?-i) f. you c % an find i*+t.
1、《等待 !方舟》是哪一年上映的？
《等待 !方舟》是皮奥特尔·舒尔金于1985年拍摄的一部经典科幻片。此片开创其它当代科幻片的先河，《等待 !方舟》上映时票房稳坐前三，创下当年纪录。当时耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔均为最佳主角，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔以精彩演技和突出形象，奠定在其它影坛地位。耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔饰演角色造型多年后仍为人所模仿。皮奥特尔·舒尔金之前曾被人怀疑其能力，而《等待 !方舟》却奠定皮奥特尔·舒尔金科幻片风格。《等待 !方舟》首映时曾获海外科幻片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1985年代）其它（其它）优秀科幻片齐名。
2、被称为科幻片的开先河之作的《等待 !方舟》，是皮奥特尔·舒尔金最好的作品吗?
从皮奥特尔·舒尔金斩获科幻片最佳导演 我就觉得这部《等待 !方舟》是他最好的科幻片。虽然皮奥特尔·舒尔金后来还拍出来了评价特别好的科幻片，但是《等待 !方舟》是他科幻片的代表作品。
3、《等待 !方舟》为什么可以成为经典？
提起其它，人们就肯定会说出《等待 !方舟》的名字。这部由皮奥特尔·舒尔金导演，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的《等待 !方舟》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连皮奥特尔·舒尔金导演和耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，都没想到这部科幻片会得到这样好的反响。皮奥特尔·舒尔金先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《等待 !方舟》开拍之前，耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔已经有几年年无戏可拍，而耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔主演的科幻片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在科幻片中投入的热情，是我们难以想象的，其实《等待 !方舟》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典科幻片，也成就了他们自己！
4、如何评价《等待 !方舟》?
《等待 !方舟》口碑非常好深受广大观众喜爱，《等待 !方舟》一经播放立刻引来无数人点赞，不仅耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片故事情节也非常紧凑，日韩播放在线视频-中文经典久久久-国产熟女在线一区二区-激情东京一区二区三区--99日在线精品视频-欧美久久久久久精选大尺度-日韩一区二区三区在线观看-久久婷婷国产色一区二区三区（www.zmyy1.com）观看起来特别流畅同时还能扣人心弦，虽然目前《等待 !方舟》收视率一般但是该片目前受欢迎程度已经名列前茅。该科幻片主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔，她在该科幻片中的演技可圈可点，受到耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔演的好而且该科幻片迷的认可。
5、《等待 !方舟》科幻片的主要内容
《等待 !方舟》是一部科幻片科幻片，由导演：皮奥特尔·舒尔金执导，主演：耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
《等待 !方舟》Se`.t ^in an undergr oun /-?d dung^+e\on inhab (%ited ;_=b/$y bund =#led)_,$= ragg+*#ed ;human bein?#gs, a*(fter the nuclear hol ]o)caust. The story[ follows the wanderings of a +hero through the situations of ``[s( u ?rvival. -\Pe!ople wait fo_ %=r the Ark to a](rr ^?(iv=e); an ; ?d rescue / them_,]? ,+while their habitat .: fal\.) ls apart. De%)lv^^ing de%?@$e(% p into ` [the dus ty an.]^.d l!(o ng ^]abandonded vaults of b -cin (/e!ma@ in sear]ch of lost ge%*ms al#$ ways l\e%*ave s m e [w+ ;it :h a bitt -ersweet taste. On: =one h #? and the discovery !of% une?xpect$ /ed_, g ?\ems wh/#ere n@[ o one would think them_ p ossible+ is a .r$`=ewarding e ]$xper ience* `.$ O n the@[ o]@ther hand ? though it make :s one won der h%\ow many of t_hese ;remar kab+(le l . ow-[budget od[$dities, pers .=onal lo; ve aff^airs of dire: ctors *never qu )i @:te f ^[[amous and no ! w all/ but f,or%\g[ otten, h(-ave( :almost forever sl*ipped from \-memory n any^ case what we hav ^e her%[ e`^ is a +_,little p:$;,ost-apocalypti /c gem from*:- Poland that is; [] rea ll$y be #,tter than it +has an#?^y right @;)to%%. The d +ys t# $opian near futur ;:*e of O-B\=#I, *O-BA )finds a grou )p of s\ urvivors of the :^_nuclear!=( `wa+,)r that ravaged th?:^e :E @art+_h inh*\abiti[**ng an underworld )concrete bunker and biding -+-their ti((,me a$/s they wait for .# the m$`ysterious Ark?%, an air `^ship of some k ind that wil% l _ +`come and save them. T_ #-he Ark p .@!roves , to b^e an[$ e .) la borat _\e hoax, carefully designed to giv e hope to-(@ the malnouri@shed and de$$sp#;erate de]@ n izen _;s of the bunker, while in the meanti]!me t? he d #ome# tha=^t+ sep@arates th;( eir;:@ mi, `se-r a ;ble e*xiste`nce from the nucle, ar winte (/=r outside^[^ is`/ sl owly caving in. \]What fir;. ;st strik\[ ed me about the movie * i^#%/s the$#` de`? =sign of the bu!?nker and the depiction*] % of *,the survivors. The su? rvi ? vo rs a_re g \au%nt-:., _@fil\ .thy@ and terri)=ble-looki,]ng penite ?nts, ; dre#;ssed in rags and aiml\ _`*essl.y wandering th _e n=`eon-lit%^ @=h%al]+!?ls% of the bunke:#r like automa !?*tons. Th`# .e bu+?_nk/;[er is a rundown, seedy place, with bri( g(,_ht ne )on ][lights ! peering from all *(s? ides like the eyes of malignant beasts. On one hand it is a sl /ightly 80's=* depictio=!/n of t ] he dysto@+`)pian= futu\ re but the movi*`e nev) er .$)st oops dow n= to MAD MAX c` heese. ,-* Instead it comb ines biting political \sat(ire with the ;b, .leak out.=look /.of a world with no future ,] ! blac*;k +comedy -`[with barbs on apathy,\[ religion and p+\ower. The ,_surv;[iv ors,+ ` f/=or_^ exa- -mple, a* r[ e [ fed som= e^,% kind of f=lour droppi$*ng from a,= /-\tube ` tha#t (*+ho:(\vers in@@: _+@the air - later \on we, di/ scov,$er t;h[e ;]$food sup( erv/;isor uses .bo oks and the B@ible i#] tself as_, fill;+e% ^r %for ; th is m eagre me%al;.. T her e are$* man\y s?[uc.:h$: [s*hort symbolic touch#@) es, perha!/ps$: not life-chan $_g,? i ?ng or faith-restor(ing, yet play%ful[+=, clever?, $!and\ i$]nspired. : One thing is for su,!re;= O-#\ BI,\ O-BA is n .-ot your run-of-the-m %i $+ll sci-fi s :(chlock. It% ov\ ercomes its modest:-. b.#^udg \?e_t wi/ th c-reati:?!vit!y and h !as ?;:genui).ne artis/ t.ic aspiration $s b^$oth from ([ a writ[i: ];ng and directing perspect%^iv*e. My opinion:@ is tha !t it should #h!.ave been f =ilmed`\ in black and white instead ?/?o ]f colo-(ur #tho ,^ugh.=% The dire]c\tor use#*s atmospheric li(@ =ght and shad=ow to g\rea#.t % effect and it w ould have re g ister[:;ed even bett$ er in st^;a ,`rk black and )^white. The blue-gre_en ne]o`-n on `the other ha!$nd outstays -its w$ e \,lcome after a #while. Just a minor gripe in!#` *an otherwise soli $:d b-movie with its h(eart set in all the right places. Imagine a l ess #bleak THE ROAD+ (,$+Cormac McCarthy) ]_ ?=being injected wi-th. the sat /ire a,nd h*\umou,+__r !?o` f DR.STRANGELOVE and you'r.: )e getting ther%/e. See it _?-i) f. you c % an find i*+t.